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4K Videos

  • Schneider Kreuznach Showcases Xenon Full Frame Cine-Tilt Lenses to IBC 2018
    Schneider Kreuznach Showcases Xenon…
  • LiveU Launches LU300 Compact HEVC Field Unit at IBC 2018
    LiveU Launches LU300 Compact HEVC Field…
  • Avid Delivers Major Innovations Across the 2018 IBC Show
    Avid Delivers Major Innovations Across…
  • Atomos Announces Ninja V 4Kp60 Monitor Recorder and AtomX Modules at IBC 2018
    Atomos Announces Ninja V 4Kp60 Monitor…
  • Sony Unveils VENICE Version 3 Firmware & 4K HDR Reference Monitor at IBC 2018
    Sony Unveils VENICE Version 3 Firmware…
  • Blackmagic Design Gets Ready to Launch Pocket Cinema Camera 4K at IBC 2018
    Blackmagic Design Gets Ready to Launch…

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Beyond 4K Buzz & Trends

Panasonic Exhibiting 4K AV Solutions Designed to Captivate Congregations at 2018 WFX Conference and Expo

Panasonic Exhibiting 4K AV Solutions Designed to Captivate Congregations  at 2018 WFX Conference and Expo

Panasonic Systems Solutions Company of North America will feature a wide range of 4K visual, 4K professional imaging and audio solutions for houses of worship at the WFX Conference and Expo at the Orange County Convention Center in Orlando, FL. The EQ1 Series 4K Professional Displays, PT-RZ120U 1-Chip DLP™ SOLID SHINE Laser Projector, AW-UE150 4K 60p Professional PTZ Camera, AW-RP150 Touchscreen Remote Camera Controller, AK-UC4000 4K HDR and HD Slow Motion Camera System and RAMSA Audio Speakers will all be featured at Booth #501 from November 14-15, 2018.

DP Greg Wilson and TV Tech Managers employ VariCam LTs with CineLive for Karate Combat: One World

DP Greg Wilson and TV Tech Managers employ VariCam LTs with CineLive for Karate Combat: One World

Karate Combat was founded to promote the sport of Karate worldwide by creating the first professional, full-contact league. Held on the 102nd floor Observation Deck of New York City’s One World Trade Center, Karate Combat: One World took place on September 27th and was broadcasted live through Karate Combat’s website, www.Karate.com. The sports event was shot by cinematographer Greg Wilson with the support from TV Tech Managers on VariCam LTs set up for CineLive. Released in early 2018, VariCam LT’s Ver. 6.0 firmware enables broadcast shading and multi-camera control plus tally and return video management to the cinema camera. This allows a production to create a cinematic look with excellent low-light performance for live and near-live productions.

DP Ben Kutchins Captures Netflix series Ozark With VariCam 35 Cameras

DP Ben Kutchins Captures Netflix series Ozark With VariCam 35 Cameras

Ozark, created by Bill Dubuque and Mark Williams, is an American drama/crime series that tells the story of a financial planner, Marty Byrde (Jason Bateman), who is forced to relocate his family from Chicago to the Missouri Ozarks after a money laundering scheme goes awry. To make amends with a powerful drug cartel, Byrde is forced to operate a much larger money laundering operation, which he runs with local criminals. The critically acclaimed Netflix series, now in its second season, is shot by cinematographer Ben Kutchins (The Dangerous Book for Boys, Crown Heights) with Panasonic VariCam 35 cameras.

DP Vanja Černjul, ASC, HFC Captures Warner Bros. Feature, Crazy Rich Asians, in 4K RAW With VariCam Pure

DP Vanja Černjul, ASC, HFC Captures Warner Bros. Feature, Crazy Rich Asians, in 4K RAW With VariCam Pure

Crazy Rich Asians is a romantic comedy-drama film, which is based on the best-selling novel by Kevin Kwan, and tells the story of an Asian American woman who meets her boyfriend's family, only to find out they are one of the richest families in Singapore. The Warner Bros film was directed by Jon M. Chu (Now You See Me 2G.I. Joe: Retaliation) and features an all Asian cast, including Constance Wu, Henry Golding, Ken Jeong, Michelle Yeoh, and many others. It is the first Hollywood studio film to feature Asians in leading roles since director Wayne Wang’s 1993 film, The Joy Luck Club.

Sony’s FS5 Goes to New Heights for Breathing on Everest

Sony’s FS5 Goes to New Heights for Breathing on Everest

My Breathing on Everest journey kicked off less than a year out of University when my friend and frequent collaborator Meredith Gaito came to me with an idea she knew most other people would call too ambitious or downright crazy. A year and a half later I have been to Nepal twice filming at the base camp of Mount Everest for what has become a deeply personal documentary.

4K Opinions & Interviews

DP Benjamin Gaskell Shoots the Latest Installment of the Witness Project Documentary Series with a Blackmagic URSA Mini 4.6K

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In late 2015, Smock Media, a Venice Beach-based film and VR production company, and the Victims of Communism (VOC), a Washington, D.C.-based human rights organization, came together and started The Witness Project. DP Benjamin Gaskell was brought on to tackle the first episode of the second installment, which would set the tone for the rest of the documentary series. The episode focused on Anastasia Lin, Miss World Canada 2015 and 2016, and her story.

Q What challenges were associated with shooting? Did you have a hard time landing any shots?

A My favorite filming location was on a remote hill that had these beautiful rolling hills of golden wheat. It was quite a logistical challenge to work effectively in the space, and I had a lot of concerns while we were location scouting about making it work. However our skillful producer J.P. Mandarino was instrumental in putting together a plan that made the whole experience a very efficient operation. It was one of those shooting days where the crew had such a good time working in a beautiful location capturing a meaningful story that you could almost feel the disappointment when we called wrap. If only every shooting day was like that! haha! Another moment that stands out to me was towards the end of our first half-day filming together. We ended up shooting past golden hour and deep enough into civil twilight that our overall ambient light levels required me to push the camera to 1600 ISO to get proper exposure. I’ll be honest about the fact that I was nervous about how the grain structure wouldn’t match, however I was pleasantly surprised at how the Blackmagic URSA Mini 4.6K performed. The color rendition and noise pattern of our twilight footage matched up really well with the rest of the project’s look and tone. It’s a nice feeling knowing that you don’t always have compromise the quality of an established look or aesthetic in order to get enough footage in the can at the end of the day. When you work with good crew and the right equipment you can do almost anything.

Taking a Look at Upcoming 4K Video Trends

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StarTech takes a look at upcoming 4K video trends including how it's being adopted, what barriers exist, true 4K ecosystem and more.

Learn more about StarTech at: www.startech.com.

Q How is 4K Being Adopted and Proliferated?

A 4K technology opens a world of possibilities for content creation and consumption. 4K UHD augments the viewing experience in applications like entertainment, digital signage, education, sports, surveillance, games and medical applications. Native 4K resolution is significantly better in resolving detail, allowing closer, more immersive viewing and scales down to 2K output with a higher quality picture than if created in 2K. An entire industry has emerged to enable a truly end-to-end 4K ecosystem - from capture, production, initial distribution, and secondary distribution to consumers. Consumer electronics equipment manufacturers, in particular, are embracing this revolutionary display technology and are the driving force behind making 4K mainstream.

News: 4K, HDR & More

Chapter Four Creates Soundscape for 360 Ad Promoting Disney’s “Aladdin” on Broadway

Chapter Four Creates Soundscape for 360 Ad Promoting Disney’s “Aladdin” on Broadway Koncept VR teams with Chapter Four to deliver spatial sound for unique virtual reality experience. NEW YORK CITY—Creative boutique Chapter Four recently applied its expertise in spatial sound to place consumers in the middle of the Disney’s hit Broadway spectacle Aladdin. Working under the direction of virtual reality studio Koncept VR, Chapter Four produced the soundtrack for a 3-minute VR video in which Aladdin’s cast performs the show-stopping number Friend Like Me. The work included…

South Carolina Cable Channel CN2 Shoots Live Field Reports with JVC ProHD Portable Bridge

South Carolina Cable Channel CN2 Shoots Live Field Reports with JVC ProHD Portable Bridge JVC Professional Video, a division of JVCKENWOOD USA Corporation, today announced CN2, an independent cable TV station in Rock Hill, S.C., purchased a ProHD Portable Bridge bonded LTE hotspot in August to provide live news updates for its daily newscast and website. David Bain, technical manager, said the Bridge and a new BR-DE900 ProHD decoder allow CN2 to provide live content for its viewers for the first time.

EditShare Jumps Into The Game With Ubisoft Montréal

EditShare Jumps Into The Game With Ubisoft Montréal EditShare® a technology leader in intelligent scale-out storage, AQC and media management solutions, is helping UbiSoft Montreal meet the demands of live capture, editing and real-time playback of up to 4K content with its enterprise EditShare XStream EFS 450 shared storage solutions and integrated EditShare Geevs video servers which support up to 4 concurrent ingest and playout streams. “We have a different set up from the typical capture or montage studio. First, our montage studio is larger than the average. With over 3,500 people on staff, we have a lot of different connections and workflow demands,” says Michel Forbes, System Administrator, Ubisoft Montreal. “One of the key workflows is live capture, edit and real-time video playback. This is the defacto workflow for many teams; the complexity of managing such a large operation and heavy project load requires a high degree of organization and system performance. We researched the options and found EditShare to be versatile enough to meet the requirements with the performance necessary to support the nuances and needs of these demanding productions.”