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4K Videos

  • Blackmagic Design Showcases the 6K Pocket Cinema Camera at NAB NY 2019
    Blackmagic Design Showcases the 6K…
  • Adobe Announces New AI-Powered "Auto Reframe" Feature at IBC 2019
    Adobe Announces New AI-Powered "Auto…
  • Sony Launches Flagship Full Frame FX9 Camera at IBC 2019
    Sony Launches Flagship Full Frame FX9…
  • LiveU Unveils the LU600 5G Cellular Bonding Unit at IBC 2019
    LiveU Unveils the LU600 5G Cellular…
  • Marshall Electronics Debuts New Miniature CV503-WP All Weather Camera at IBC 2019
    Marshall Electronics Debuts New…
  • ARRI Begins Shipments of ALEXA Mini LF Cameras at IBC 2019
    ARRI Begins Shipments of ALEXA Mini LF…

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Beyond 4K Buzz & Trends

Cyber Media TV Uses ATEM Constellation 8K for eSports Streaming

Cyber Media TV Uses ATEM Constellation 8K for eSports Streaming

Blackmagic Design today announced that Cyber Media TV uses Blackmagic Design ATEM Constellation 8Ks and ATEM 1M/E Advanced Panels for eSports and steaming programs for gaming. Cyber Media TV uses both ATEM products, along with a number of other Blackmagic products, to stream 60 to 80 eSports programs each month.

Panasonic Announced Three of the Industry's Smallest and Lightest 4K 60P Professional Camcorders With a Wide-Angle 25MM Lens and 24x Optical Zoom

Panasonic Announced Three of the Industry's Smallest and Lightest 4K 60P Professional Camcorders With a Wide-Angle 25MM Lens and 24x Optical Zoom

Panasonic is proud to announce three of the industry's smallest and lightest 4K 60p camcorders. Not limited by their compact and lightweight designs, the HC-X1500, HCX2000 and AG-CX10 offer a high standard of on-site mobility and portability, as well as the high-quality 4K 60p recording capability demanded by professionals. The Wide-Angle 25mm Lens and 32x i.ZOOM (4K recording) achieve high-spec optical performance thanks to Panasonic's exclusive high-precision AF, which also provides high-speed, accurate focusing for both 4K and Full-HD shooting. The new models have a variety of professional functions, such as Two Manual Rings, an ND Filter, a Built-in LED Video Light *3 , and 24-bit High Resolution Linear PCM Audio Recording. Users can further customize the recording formats according to the shooting environment or preference.

DP Mark Schwartzbard creates scares for Blumhouse Production’s Black Christmas with the VariCam 35

DP Mark Schwartzbard creates scares for Blumhouse Production’s Black Christmas with  the VariCam 35

As Hawthorne College winds down for the Christmas holidays, a black-masked stalker begins killing sorority sisters one by one. Produced by Jason Blum (Halloween, Get Out) for Blumhouse Productions, Black Christmas is a re-imagining of the 1974 cult classic to a 21 st century audience. The horror film was directed and co-written by Sophia Takal (Always Shine). Although Takal was a fan of the original film, she wanted to bring attention to contemporary women’s rights issues, in particular the Me-Too movement. The film was shot by cinematographer Mark Schwartzbard (Forever, Master of None) with VariCam cinema cameras rented out of Panavision New Zealand. “The original Black Christmas was made in 1974 and it was a Canadian low budget horror movie,” explains Schwartzbard. “A lot of people believe it's the movie that invented the slasher film.”

Sony and Verizon Demonstrate How 5G Stands to Transform Live Sports Production

Sony and Verizon Demonstrate How 5G Stands to Transform Live Sports Production

Sony Imaging Products & Solutions Inc., Sony Mobile Communications Inc. and Verizon joined forces with NBC Sports to test how 5G can change the way live sports broadcasts are captured and produced. During the Houston Texans vs New England Patriots football game at NRG Stadium on December 1st, 2019, a camera person from NBC Sports captured video of the game on the field using Sony’s PXW-Z450 shoulder camcorder. The video was streamed through Sony’s prototype transmitter box and Xperia 5G mmWave device, via Verizon’s 5G Ultra Wideband network to a production room in the stadium.

4K Opinions & Interviews

DP Benjamin Gaskell Shoots the Latest Installment of the Witness Project Documentary Series with a Blackmagic URSA Mini 4.6K

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In late 2015, Smock Media, a Venice Beach-based film and VR production company, and the Victims of Communism (VOC), a Washington, D.C.-based human rights organization, came together and started The Witness Project. DP Benjamin Gaskell was brought on to tackle the first episode of the second installment, which would set the tone for the rest of the documentary series. The episode focused on Anastasia Lin, Miss World Canada 2015 and 2016, and her story.

Q What challenges were associated with shooting? Did you have a hard time landing any shots?

A My favorite filming location was on a remote hill that had these beautiful rolling hills of golden wheat. It was quite a logistical challenge to work effectively in the space, and I had a lot of concerns while we were location scouting about making it work. However our skillful producer J.P. Mandarino was instrumental in putting together a plan that made the whole experience a very efficient operation. It was one of those shooting days where the crew had such a good time working in a beautiful location capturing a meaningful story that you could almost feel the disappointment when we called wrap. If only every shooting day was like that! haha! Another moment that stands out to me was towards the end of our first half-day filming together. We ended up shooting past golden hour and deep enough into civil twilight that our overall ambient light levels required me to push the camera to 1600 ISO to get proper exposure. I’ll be honest about the fact that I was nervous about how the grain structure wouldn’t match, however I was pleasantly surprised at how the Blackmagic URSA Mini 4.6K performed. The color rendition and noise pattern of our twilight footage matched up really well with the rest of the project’s look and tone. It’s a nice feeling knowing that you don’t always have compromise the quality of an established look or aesthetic in order to get enough footage in the can at the end of the day. When you work with good crew and the right equipment you can do almost anything.

Taking a Look at Upcoming 4K Video Trends

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StarTech takes a look at upcoming 4K video trends including how it's being adopted, what barriers exist, true 4K ecosystem and more.

Learn more about StarTech at: www.startech.com.

Q How is 4K Being Adopted and Proliferated?

A 4K technology opens a world of possibilities for content creation and consumption. 4K UHD augments the viewing experience in applications like entertainment, digital signage, education, sports, surveillance, games and medical applications. Native 4K resolution is significantly better in resolving detail, allowing closer, more immersive viewing and scales down to 2K output with a higher quality picture than if created in 2K. An entire industry has emerged to enable a truly end-to-end 4K ecosystem - from capture, production, initial distribution, and secondary distribution to consumers. Consumer electronics equipment manufacturers, in particular, are embracing this revolutionary display technology and are the driving force behind making 4K mainstream.

News: 4K, HDR & More

iQIYI Partners with MBT and Panabit to Bring HD 4K Blu-ray Streaming Services "Qisubo" to Myanmar

iQIYI, Inc. (NASDAQ: IQ) ("iQIYI" or the "Company"), an innovative market-leading online entertainment service in China, announced that its innovative high-speed streaming service "Qisubo" is now available in Myanmar as a result of a new partnership with Myanmar's leading telecommunication operator Myanmar Broadband Telecom Co., Ltd. ("MBT") and optimization solution provider Panabit. Through "Qisubo", Myanmar MBT customers can view content in 1080P and 4K quality when using the iQIYI App. This development demonstrates iQIYI's growing presence and service capabilities in the Southeast Asian market.

Cooke S7/i Full Frame Plus Lenses Bring Beauty to the Story of Cuba

Cooke S7/i Full Frame Plus Lenses Bring Beauty to the Story of Cuba Peter Chang, known for his IMAX and giant-screen work as cinematographer on Jerusalem and America Wild: National Parks Adventure, has completed his latest film, Cuba, which won the Best Documentary award at the 34th Annual Fort Lauderdale International Film Festival and has begun releasing to museums, educational institutions and other giant screen and IMAX venues.


WAYNE, NJ, JANUARY 8, 2020 – JVC Professional Video, a division of JVCKENWOOD USA Corporation, is now shipping its CONNECTED CAM 500 Series streaming handheld camcorders. These three compact 4K cameras — the GY-HC500 base model, the GY-HC550 with advanced streaming and graphics, and the GY-HC500SPC sports coaching and production camera — are designed to optimize both image processing and IP performance. With built-in streaming and connectivity options, the 500 Series units offer users advanced low-latency. Illinois-based TV, radio and newspaper group, Quincy Media; the forthcoming Stamford, CT-based XFL American football league; and Irving-based television and media company Nexstar Media Group have each purchased the new 500 Series CONNECTED CAM models to help expand their broadcast and production capabilities.

Deadline Hollywood Upgrades to Blackmagic Pocket Cinema Camera 4K

Deadline Hollywood Upgrades to Blackmagic Pocket Cinema Camera 4K Hollywood, CA, USA – January 7, 2020 - Blackmagic Design announced today that Deadline Hollywood, the preeminent site for the most up to date breaking news stories in the entertainment industry, recently upgraded their video production unit to Blackmagic Pocket Cinema Cameras 4K for all of their entertainment video interviews and reporting.