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An interview from the 2019 Cine Gear Expo at Paramount Studios in Los Angeles with Art Adams of ARRI. With headquarters located in Munich, Germany, ARRI was founded in 1917 and is the world's leading designer, manufacturer and distributor of motion picture camera, digital intermediate (DI) and lighting equipment. The ARRI group comprises a global network of subsidiaries and partners covering every facet of the film industry, including worldwide camera, grip and lighting equipment rental through ARRI Rental; turnkey lighting solutions through the ARRI System Group; and film production, post-production, lab services, visual effects and distribution through ARRI Media.

The newest members of the ARRI lens family are the 16 large-format and the Super 35 ARRI Signature Prime lenses, ranging from 12 mm to 280 mm and fitted with the ARRI LPL mount. While the Signature Primes exemplify state-of-the-art optical precision, they have been designed to render organic, emotionally engaging images, gently softening and texturizing the large format with natural skin tones and creamy bokeh. A fast T-stop of T1.8 facilitates shallow depth of field and the smooth focus fall-off gives subjects heightened presence in the frame.

The ARRI Signature Prime range is the first cine lens series to feature machined magnesium lens barrels, making the optics incredibly lightweight and robust. They are also the first to incorporate ARRI’s next-generation LDS-2 Lens Data System, with high data rates and absolute encoders for fast initializing. LDS-2 extends the possibilities of lens data and is being licensed to other lens and camera manufacturers.

ARRI Signature Prime lenses are equipped with the LPL (Large Positive Locking) lens mount, a key element of ARRI’s large-format camera system. The wider diameter and shorter flange focal depth allow LPL lenses to be small and lightweight, with a fast T-stop and pleasing bokeh—a combination of features that would not be possible with the old PL lens mount.

ARRI shares LPL specifications openly and free-of-charge across the industry, in order to establish the LPL lens mount as the new standard interface between cameras and lenses. ARRI LPL lens mounts are available for ALEXA 65, ALEXA LF, ALEXA Mini LF, ALEXA Classic/XT/SXT, ALEXA Mini and AMIRA cameras. In addition, third parties already offer LPL lens mounts for cameras, director's viewfinders, and lens testing tools, so ARRI Signature Primes and other LPL lenses can be universally used.

For more information please visit: www.ARRI.com

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